Larry London Project - Lady

Let's bounce into the New Year – 2009, gosh! - with this lovely piece of 80s orientated dance floor action from the excellent Larry London Project. Fans of the previous work, and of the Cool Million set will find this track irresistible. It's not the most lyrically challenging number by any stretch of the imagination but that's not the point. It's intentionally upbeat, joyful and aims fair and square to lodge into the old grey matter. Repetitive it may be but that's the rub – you will not only love this but you'll be whistling this, singing along and feeling as if the recent festivities are still clinging on.
Let's face it – for us fellas anyway – Ladies are lovely (well, most are at any rate) and anything to celebrate and not berate is always worth a nod from me and this certainly gets a nod of approval. As we hit 2009 the musical arena is one that is a lot healthier than I had once feared. We seem to be getting back to basics and dispensing with a lot of the urban, heavy plodding street nonsense. In today's tunes we can hear the sounds of the 60s, 70s and 80s and hallelujah to that! Larry London gives us heaps of feel-good boogie tunes entrenched in an 80s groove and not complacent in that a modern '2 step' Togetherness feel bolsters and drives the beat forward. Let's all start 2009 on the good foot – get into this and celebrate “Lady”.

Barry Towler

Towanna - And Still I Rise

A full-voiced Songstress in the Classic Soul tradition, Towanna releases this download song that bodes well for her future endeavours. There is, yet again, a 60s vibe here with the horns, Motown-ish drum rolls and plenty of melody. Socially conscious, the message of day to day struggle for many people is laid down without the need for posturing, swearing or undue candour. People tend to forget that some of the most socially conscious and political music in the world was Soul Music! Rap can forget it's assumed mantle of consciousness – Soul was here first and the tradition lives on in artists such as Towanna. What marks soul apart from rap is the positivity. That's what appeals to me. In the face of adversity Towanna is terrifically defiant: “And I Still Rise” she testifies. Good for you, girl, and all with a strong, soulful backing too. Well worth a download and a name to watch out for.

Barry Towler

Beggar & Co Feat.The Funk Jazz Collective - Brass Strings 'n' Things

How timely this release comes, hot on the heels of the superb Light Of The World re-release “Round Trip” album on EMI Gold (recently reviewed.) That album contained 7 tracks from this SUPERB live set, and made it doubly worth the time and effort to purchase, but don't for a moment think that because you have the teasers that you don't need this set! Oh, far from it! Recorded live at the wonderful Jazz Café in London. The performance is tighter than a mosquito's tweeter, as it has been said, and it is only the odd snatch of audience appreciation that belies the fact that this is NOT a studio set! Now, there's talent for you! The funk really is on fire throughout the set. It's pedigree runs like a streak throughout the set and what a phenomenal reading of Roy Ayers' classic “Evolution” to kick off the set; Orphy Robinson filling Roy's shoes effortlessly. Billy Osborne and Camelle Hinds underpin the set with their solid and stoical drumming. The excellent “Cosmic Lust” has long been a meat 'n 2 veg inclusion for the gang and the magic is definitely still there. In fact, the atmosphere is tangible – it feels like a lot of joy, love and dedication went into this performance. Miss them at your peril. “I Like It” hits you with all the force you would expect, the brass punches, the bass does it's job and the sax licks at you and has you caught up with the crowd – all from the comfort of your own home! There's a guitar rhythm to die for on “Pete's Crusade” which would make the Blackbyrds proud! Fans of brass will love the Kool & The Gang-like version of Tom Browne's classic “Throw Down” and the trumpet solos really enhance it too, along with tortured and edgy sax. “I'm So Happy” - a classic – is given a real good workout with a reggae twist , and Camelle Hinds steps forward to deliver Central Line's evergreen “Nature Boy”. This is a gentleman who can sing, and his beautiful vocals over the muted trumpet allows the Latin piano rhythm and flute to whisk you away. As you would expect, “London Town” features and the vibes are delicious! The boys really are at home on this groove and the infectious rhythm still gets you as much now as it did way back in 1980. Not being a fan of live sets, part of me didn't relish this set but the proof of the pudding was definitely in the hearing. An excellent act, excellent music and an excellent venue. All captured on one CD. How good is that?!

Barry Towler

Paul Mac Innes & T.B.O.I.

2008 may be drawing to a close but the quality soul shows no sign of abating. I have recently raved about the excellent Paul Mac Innes who guested on the brilliant “I Need Music” on Bennson's CD (also reviewed here on Soulchoonz.) Devotes of the duo will know that this album – minus the three bonus cuts – was released on P-Vine in Japan last year, so it is great to see the album get a wider issue. If you are not familiar with this wonderful duo then let me start by saying that they make the most awesome, moreish and soulful music, and all out of their home base of Gothenburg in Sweden! The set contains nods in a lot of black music directions, be in Jazz, soul or Hip Hop, and I thoroughly understand those who compare them to Steely Dan although there is definitely more soul within their make-up as you will hear. Odd though the first track may sound, “Welcome To The Bunker” contains everything that the quality soul music devotee would and should want. The slap bass, early 80s groove and soulful harmonies are to die for. It gets better though! Check the delightful and intoxicating laid back vibe of “Even Though” with it's strong piano and vibes. I can imagine the likes of Blaze recording this for their “25 Years Later” set, it really is that good!

A song I am really sold on is the brooding, simple but devastating “Time”. This melody, led again by the pensive piano, is straight out of the Joslyn or Brown Baby Girl bag (also available through Soulchoonz!) and is real, true deeply rooted REAL Soul Music. All out of Sweden! Fantastic, and even more reason to visit! The jazzy “What You Do” has a real Hip Hop influence and I can even imagine the likes of George Duke nodding and smiling in approval. Vocally, George would hear echoes of his own style, pitch and phrasing, maybe with a pinch of Regis Branson thrown in for good measure! Excellence abounds with the atmospheric and very 70s “Run Away”; it's fluid beats, organ and slap bass personally hits me where I need it to. It's a song I have played to death. You'll soon understand the Steely Dan comparison with “You Know What To Do” - Think their superb “Aja” album and you're not far wrong. If you love the warm 'recorded live in one hit' feel a la Elizabeth Sheppard then “Let's Dance” will quench your musical tastebuds, and for afters enjoy the VERY Steely Dan-like “You Make My Sunshine” which also owes a lot to the style of Big Brooklyn Red – think “Paradise” and there you have it! The 3 extras, including the aforementioned cut, add extra value – especially the horn mix of “Welcome to The Bunker” which is excellent. Lovers of quality music should be without doubt: this is the real deal and will be enjoyed now and in many years to come.

Barry Towler

Ariana Jane - Imagination Of Love

January 2009 sees a brand new talent in our midst backed by an all-time favourite of ours! Firstly, the new talent: Ariana Jane is an exciting new vocal Jazz artist with leanings towards the Great Songstresses of the past, with a voice ripped with soul, pain, anguish and hope, Her voice is textured and multi-dimensional and so, so refreshing. The all time-favourite of ours is a writer, musician, arranger and producer of MONSTER proportions who is no less than Chapter 8 supremo, Michael J Powell! So, fans of this man and dexterous, vocal Jazz will be happy with “Imagination Of Love”. You may need to play the CD a few times before it hits you – mainly because what you expect from Michael may not be so outright jazzy, but his great hand easily wins out and the music itself, provided by the Detroit Katz – Mike Mindinghall, Steve Hoell, Marlon Bebop Crawford, Randy Scott, Deshawn Jones, Quinten Dennard and Darrell Campbell. All very, very able and skilled musicians and all worthy of a shout out! The CD is dedicated to Michael Lamar Powell – so obviously a sad loss has occurred here during the recording process, and love therefore goes out to all concerned. “Imagination Of Love” is a subtle yet alluring title, offering the listener many possibilities and from that source what Michael and Ariana have worked to do is expose this miasma in only the way they can. With style. The album does not disappoint, but for me the real majesty starts reigning on “Mirage”. Sexy, slinky and drizzled with plenty of Sax and backing vocals, this song hits the spot both musically and lyrically. The crashing and vibrant “Friday Night In New York” paints a much better picture than most Hip Hop acts would prefer to show you and reminds you that it isn't the gun-toting, crack filled hole that rappers like to present. I wasn't banking on “Bad Girls” being a good track but it is – very strong. The Billie Holliday approach is most excellent and the band rise to the occasion. Moments like these allow Ariana's influences to shine through. You will, I am sure, love the smooth “Secret Island”...pure heaven and has Mr. Powell written all over it! You cannot beat real instruments! Let's check out “Haze Of Love” for more inspiration and simply soak up the sax and bass line. Lovely stuff. My final choice is the excellent “Touch Me” which fuses smoky, jazzy vocals with sultry soulful keys with an 80s foundation. Very nice mix indeed.

Barry Towler

Adrian

“Baby it's time” croons Adrian “for a little romance”. You're not wrong there, Adrian, and your CD should definitely propagate a few romances and get a few bed sheets ruffled! Adrian contains a lot of 'old school' or, better put, traditional, sentiments but employs them the best way for today's ephemeral marketplace and today's confused, mixed-up Hip Hop cum R&B market. Now don't get me wrong...Adrian is NOT trying to be the next big R&B star – god forbid! Instead he is very much his own man. Adrian's vocals are a smooth blend of Mikki Bleu, David Ruffin Jr and Omar Cunningham so this should make you sit up and take a bit of notice! This album says to me that he knows where the music has been, and he definitely knows where it's at. Take, for example the blissful opening song, “Time For Romance” which is based very much with Ronn Matlock's “I Can't Forget About You” melody but fully in sync with today's rhythms. This is excellent stuff, and I hear a few subtle nods to classic soul later in the album, too. The 80s influenced stepping groove of the aptly-titled “Stepping Out” complete with bongos and strings is excellent. The expansive synth and loose rhythm works well and is easily a highlight. “Rendezvous” is a strong modern soul jam with more than a nod towards the 90s slow jam purveyors but the opening strings harken back to the great Barry White / Love Unlimited Orchestra and even Stevie Wonder. “Don't Wanna Be” is a very strong bass-heavy track which is 90s influenced – some nice guitar a la Randy Bowland style, and the song is rather akin in its very essence to Jeffrey Osborne's “Soft And Slow” with a firm Ernie Isley influence. An Isleys influence, vocally, can be found on the excellent “Who's That Lady”. NOT, I hasten to add the same classic hit though! The essence of D'Angelo soon takes over and carries over into “Black Paradise”, a positive ode to women complete with laid back jazzy vibe, synth and warm keys. Also check out “I Gotcha Back” which features some spacey keys and conversational aspect reminiscent of Curtis Mayfield's “No-One Knows About A Good Thing”. This is SUPERB. If you loved Omar Cunningham's latest CD then “Never Meant To Hurt You” should satisfy. The best, for me, comes with track 10, “Heaven”. Easily my track of the moment, this song knocked me away...so subtle, simple, and as summery as you like with some beautifully paced guitar. The best track on here without doubt and one of my faves of 2008. For my money, worth the price of the CD alone if only for that track! Recommended for sure.

Barry Towler

Darien - If These Walls Could Talk

Hailing from Mt. Vernon, New York, comes Darien whose sheer soulfulness that is more than apparent. If you like your soul music of the dance floor-friendly persuasion with a bit of clout, then I suggest you check out this man and his music. The beats are solid and meaty throughout and would prove very satisfying on any dance floor, and the backings are very much full of everything we enjoy such as live instrumentation, dreamy keys as well as strong vocals. The use of bluesy guitar, flue and other live instruments along with heavier percussion really adds a 'real' edge as well as giving the songs strong roots founded in real soul music and tradition – something that today's commercial R&B certainly does NOT do. Let's start with the excellent opening cut “I Just Can't Wait” with bluesy guitar and '70s Fender Rhodes keyboards. This is very much what we would expect from a quality Dwayne Wiggins or Raphael Saadiq production. The production is top-draw, I have to say, and shows that Darien has invested properly – and rightly so – for his talent. It's a set of which he can be justifiably proud.“Gone” is very much more a modern Hip Hop jam in the John Legend / Will.I.Am mode BUT uses a clever sample (which currently escapes me!) to give the jam some classic foundations. That aside, you will love this song. Darien proves he can turn his hand to anything with the following cut which opens up in a fantastic 70s jazzy flavour – think Lee Ritenour or Gino Vannelli and that's how “Composure” commences, soon delving into a classic mid tempo stepper's groove. Superb! Equally superb is the dance floor-friendly “Showya” - the heavy bass, rhythm guitar and dreamy vibes are the real deal! An essence of Stevie Wonder can be uncovered in the shuffling classic sound of “Sail Through” and is a real highlight of the album. “Love Revolution” with its keys and horns is very akin to the recent Tuomo album, and is a song fit for a summer's day. Darien offers much more than many artists today in that he has his feet firmly rooted in real music; he understands how to put a tune together and from there builds up with some bass, a garnish here or there as a nod to the streets, BUT is an all-encompassing artist and one who will have no problem in wowing audiences with this set.

Barry Towler

Walt Coleman - Songs In Transition

Walt may well be stretched out is resplendence on the front cover looking very much like Isaac Hayes, but where the vocals are concerned the multi-talented vocalist and musician Walt Coleman owes more to the vocal style of Al Johnson than anything else. This is a set that should please those who like a more home-grown warm and inviting independent sound. Remember the late 80s and early 90s? There were a number of massive tunes that were championed by the likes of John Anderson at Soul Bowl, and Dean from Voices From The Shadows and boy is there one of these on here, and as such makes the album a must-have. For me there are 5 songs of note and these start with track 2, “Hard Out There”, which is a tough, bass-driven little tune that has funky overtones. Enough to rumble the old bass-pins, is this track and is one you can really get intricate with. From here my attention was next drawn to the SUPERB “Mr. Got It Goin On” which is very 80s in style and describes well the sort of gentleman most women aim for but seldom find happiness with. There is a very small yet well-placed rap featuring Phostachild.“Love Song (All I Need)” is very much in the Al Johnson vocal court, and sounds very much like a quality independent from the mid 80s, thanks mainly to the melody and reliance on the synth. The melody and vocals are really lovely and make this a definite standout track. For me the KILLER is the sweet and wonderful “True Love”. This is superb, and sounds like it could have come out on a small indie label out of Miami. The joyful guitar, resonant keyboards and tapping, loose carefree beats really hark back to 1986 / 1987 and cuts like “Time” by Delaney, “Love The Way You Make Me Feel” or “Lighthouse” by Artwork or even “Come See Me” by Sergeant Tucker. I thoroughly recommend this song and if you love THAT sound then this is one for you! Love it, love it, love it! My final pick, "In Luv Witchu" really is a bassy number, perhaps the bass has been over-egged a little but the taste is very much in the Jesse Johnson / Prince bag and the way the vocals are crafted and structured around the guitar and bass this should appeal to those who enjoyed the Minneapolis sound of the mid 80s. Impressed with the enthusiasm on this CD. OK, it does not have the major label sound that we have grown used to BUT there lies it's charm. Rustic soul and thank God for it too!

Barry Towler

Touch Of New York

I was really surprised by this album. I expected something more...urban, rough and street, perhaps with a rap edge yet no! The songs are traditional soul outings with real instrumentation and real singers, so this was a very nice surprise. I was warmed by it from the starting orders. The vocals on this album are from the likes of Gary Brown and Marc Dorsey so we should know that the emotion – a key ingredient – is ever-present. The opening song, “Inspiration Love” is an optimistic and positive slant on love. As I said before much of today's music scene cannot see past the booty-shaking and knocking boots element, what this sort of song does is re-introduce a wider, deeper and dare I say it, a more real take on love. More like this, please, let's have some sanity! I absolutely fell in love with the jazzy-edged “Dreams Life Ocean” with its cool sax, warm keys and rumbling bass courtesy of none other than the legendary Doug Wimbush! I really see this as a highlight of this album, and I hope it gets the exposure it deserves!“Everything About You” is another cracking effort, and along the same theme of the opening song and following this song is the gorgeous Marc Dorsey led song called “Just Another Day”. Marc Dorsey has a great voice and has the ability to crossover from modern R&B cuts to classier, adult material. Take his “Follow My Heart” from the Club 1600 Project a few years back and point is made. The blinding “Just Another Day”is further evidence to the fact that this man has got real soul! A more uptempo effort from Marc is the excellent “Givin' It Up” with a slight Latino flavour, horns stab and synths predominant; a very nice inclusion. Please also check out the superb “Heart Beats”because this is similar to the best material contained on the excellent “Park Place” CD a few years ago. Like that? Then you'll like this. “One Chance” is another treat but not as good as the tremendous “Love You More” which has real sparkle and pizazz. Like I said, this CD was a surprise, and I think you'll agree that New York should be known for more of this than a lot of the hard rap / street stuff that seems to hog the limelight!

Barry Towler

Uné - Uné

Une (pronounced You-nay) has a compelling, authoritative voice and reminded me immediately of the late, great Carl Anderson. Other times I here the merest ghost of Ty Causey also, which isn't surprising in the least as I always hear a bit of Carl Anderson in him also. This CD is excellent, especially for the soul tracks of which there are many. There are one or two songs on here which should appeal to the younger R&B crowd, and without wanting to sound negative I have to say that these not only sound out of place, but also that Une is far too dynamic and talented a vocalist to be doing stuff like that. I can understand why artists do this, though, in the current climate. Of the songs I particularly feel akin to, musically, we are talking quality. The backings are programmed but I have no issue with that as long as it is original, melodic and intelligent.Check out the warm opening effort “I Can Remember”. This is a solid performance from Une and he has full command vocally. In fact, I would very much like to hear him on some more jazzy material. He would excel at that. Track two is another song well worth your attention. “One More Time” is definitely in the Ty Causey bag, and if you appreciated the great Man's latest CD, “Expressions”, then you will certainly like this CD also. The following song has a mid 90s indie flavour to it and, again, Une does the business with his golden tonsils. Une excels when he allows his expansive voice to expound atop the groove. Of the more urban grooves, the rhythmic “Stop Frontin'” is definitely the best of them. The use of tinkling piano and the discarding of the megaphone homey going “aww yea” does a lot to give more credibility to this sort of material. “I Really Love You Love” comes in two versions, and the original is the one I would plumb for as there is some tasty guitar and echoey electric piano on here that works very well indeed. The remix is also worthwhile, but musically more reserved. Vocally I can hear Lenny Williams attempting this. Try it – you may well prefer it to the original. I really, really love “You Complete Me” both musically and lyrically. Musically, the melancholic piano tinkles away almost idley in tandem with the beautiful daydreaminess of the song matter. This is stripped down, rather spartan, effort but the synth strings and timbales sweeten it considerably. This is a dreamy, delightful song of the highest order. As a début set, Une has delivered a strong one. I really hope that this man returns in future with more tasty treats as he has more talent than any of what the majors seem happy to sling our way. Keep 'em peeled!

Barry Towler

Eric Benét - Love & Life

If you have followed this gentleman's career as closely I have, then you may well see this CD as his very best. “Love And Life” is the first album under Eric's creative control, and he has returned to his roots and to the genius of Demonte Posey and George Nash, Jr whom we know and love for their previous work with Eric (check out the Jonas album too which George has worked on!). The album sets the highest of standards IMMEDIATELY. The opening song, “Love Patience Time”- blessed with in abundance on this album – is simply breathtaking. I'm sure the mainstream R&B media will bemoan the fact that this isn't a Hip Hop album BUT it's to his immense credit that Eric delivers a set or REAL timeless songs. This is classy, summery and feel-good. The hook is catchy and the fluid drum beat and punchy 80s styled horns really are strong. Track two, “The Hunger” belts out with real authority; the clapping beats, harmonies and strings are great, and with this CD, it's fair to say that Mr. Benét has well and truly become stronger since his recent personal upheavals. Applause for that – what doesn't kill you makes you stronger, and the result is very audible here! If these tunes aren't already winning you over I know you will be floored by the beautiful “You're The Only One” which is a nod towards the Philly sounds of Thom Bell and Will Hart...simply sublime!Add to the mix the heavier, addictive, jam of “Don't Let Go” and we're really smokin' now! The sensual “Chocolate Legs” is a gentle, subdued jam dedicated to the sweet and warm charms of a woman wrapping herself around him. Very tastefully executed. If you love brassy, piano-filled 80s styled jams them the rollicking “Weekend Girl” is going to impress! This isn't a cover of the SOS Band hit – but a wonderful new composition very much in Eric's unique style. Talking of the 80s I almost DIED with pleasure when I heard “Iminluvwichoo”. MY GOD! This is a soulful dancer straight out of 1983 – 1985, and I LOVE IT! Fans of recent Soulchoonz stars such as Confection, Skalp, Swade etc will immediately love this tune!!! Staggering though this is, please listen to the Afro-Cuban Funk of “Spanish Fly” which adds real kick – and all on a MAJOR label too! Great, isn't it?! I had no idea they had it in them any more! The autobiographical “Still I Believe” is a thumping electronic jam, his chorus sequenced electronically to enhance his straining emotions as he testifies that he still believes in love. “Sing to Me” is very acoustic...lyrically very strong and should be a HUGE hit if spun on national radio. A real treasure of a song closes the album – a song dedicated to his 16 year old daughter, India. “One More Tomorrow” is beautifully touching and if you adore Stevie Wonder's last album then this style is very much akin to the classy ballads on there. I rate this as Eric's best album ever, and definitely his most consistent. We need to give this a standing ovation. Beautiful.

Barry Towler

Buy on Amazon

DJ Spen & The Muthafunkaz presents Marc Evans - The Way You Love Me

If any album has real “YES!”value then it's this classy, classy set of soulful dance from the brilliant DJ Spen, Marc Evans and the Muthafunkaz. If you have not yet checked them out then I suggest you do so ASAP. Hailing from Baltimore, DJ Spen associated himself with e Basement Boys label as far back as 1989, and co-founded Code Red Records with co-Muthafunka, Engineer Gary Deane in 2004. Recent releases have been on the Defected label, which is where you will find this fine release. Alongside Spen on the mix are Gary Hudgins on keys and Irvin Madden on bass and together they form the Muthafunkaz. The group are also well known for their vibrant and popular remixes and have sprinkled their dancefloor magic over the likes of Diana Ross, Ann Nesby and even Everything But The Girl! A real milestone for me, though, was their sublime “The Way That You Love Me” from late 2006 which was a moment of musical ecstasy...the T.S.O.P. And Salsoul mixes were to die for and anyone who loves to groove to a feel-good, frantic boogie-times beat will simply adore this CD crammed with similar flavours. The aforementioned song is included here in a more bass-powered mix, minus strings and hi-hat but is still something you can really get into. The new single, “Given Me Joy”, is simply wonderful. The pumping bass and gospel-like backing vocals are buffered by a Barry White / Love Unlimited Orchestra string sequence which raises the song to some really serious heights. The vocals are spot-on and immensely poetic and lyrical when Marc delves into spoken word part way through. This is just blinding. The contrasting song lyrically but not musically is the excellent “Reach Out For Love” which is socially conscious, using strings which not only sweeten but have an urgency to them and carry a mournful feeling. I tell you this, rarely will the dancefloor get better than this. If, like me, you loved Little Louie Vega's “Extensions” album a few years back, and loved the inclusion with Raul Midon then you are going to really appreciate the pseudo-Latin rhythms of “Beneath The Crescent Moon” - the icing on the cake is some tasteful muted trumpet. I find that jazz and house can be perfect partners if handled properly, and this is done with aplomb. I direct you to the synth-laden, harp-drizzled and guitar-led “I Am Crazy”with its frantic beats and bassy undertone. The flavour hints at past dancefloor flavours and the vocals are right out of the 80s. Barry White comes straight to mind with the interpolation of his famous break-beat on the soulful yet earnest “The Promise”. The Vince Montana flavoured sample that carries “What Is This Thing Called Love” really KICKS. For me it's the showcase track on the album...the bass pumps, the rhythm skips and the affair is cemented together with so much Philly flavour that it's simply fantastic. Feel-good soulful dance for the summer! My final pick on here is going to be a smash on the soulful dancefloors this summer...I rate this as high as the previous highlight, and that is the stellar "(If You Want My Love) Put Something Down On It". Its throbbing bassline, harp and eerie synth aligned with the sheer inspirational quality of the vocals is going to make any party rock! An absolutely essential release and thanks to the good folks at Defected for giving us not only what we want but what we NEED!

Barry Towler

Mose Stovall - Groove U

Southern styles are not exactly my cup of tea, but as you have read recently, the likes of Omar Cunningham can have such a wide appeal that I am brought into the fold. I can say the same for this gentleman who fuses bass-driven lines, bluesy guitar and strong, soulful lyrics. The production is not on par with Omar's recent set but don't let this distract you. Relative to other Southern sets this is well recorded. Some southern material is full of energy and verve, it can really lift me up high and some songs on here do just that – the prime example being the excellent “Get Some Lovin'” which features some very tasty slap-bass to boot. The opening song is another prime example of a healthy fusion of Southern and mainstream styles; “Groove U Baby” utilises a Ronnie McNeir style groove and the southern, sprawling guitar adds some southern hot sauce. Bluesier guitar can be found on the excellent “Blue”which is a funky, guitar-led effort which is a cut I consider one of the highlights. I also love “Been There Done That” which almost starts off like George Benson's reading of Curtis Mayfield's “Let's Do It Again” from his 1988 set, “Twice The Love”. I would say that Mose's best vocal performance can be found here. This really is a top-draw track and one I would expect a certain Mr. Searling getting excited about! “Good Lovin'”kicks off with a strong blues lick, the melancholic lyrics and brooding piano is tempered by a downtempo beat and some excellent backing vocals. I immediately heard echoes of Willie Hutch when Mose starts singing on “Party”, though the recording does seem a bit overdone on this particular song which is a shame. If you like dreamier productions, then please check “Sneakin'”. The keys on here are reminiscent of those that Roger Troutman would have used. Again, this is a Guv'nor track and should please both fans of Southern style and wider soulful flavours. The Soulchoonz favorite “Dance” feels more like a mild stepper groove to me, again with a Willie Hutch vocal inflection making it yet another champion track. “Get Some Lovin'” is another track to raise a smile, having an 80s indie feel to it – this is the sort of track I would have bought from Rod Dearlove or John Anderson back in the day! The final cut is much slower and although good, I would have preferred it to have gone off with more of a bang! I prefer more uptempo Southern offerings on the whole and I am pleased that Mose, the new voice of Southern Soul and R&B has provided plenty of each. A worthy album.

Barry Towler

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Venue Connection - Madrid Boogie

Now, this is different, and if you are an ardent believer that variety is the spice of life and you like your flavours spicy and tangy then Spain 's vibrant Venueconnection will be a CD you should take an interest in. This is, in fact, their second album and intelligently fuses jazz, funk, soul all with a flourish of Spanish, Cuban and Indian flavours. This approach is not unique, and you will remember Xantoné Blacq's recent album which was one I praised very highly. The album is one that you can put on and leave on, to be honest. The different musical textures and tempos add light and shade and keep the old grey matter constantly interested in what is going on. Like I said, this is intelligent music. Some may not equate flamenco, Hindu or Afro-Cuban music with soul BUT each nation should have it's own identity and Venueconnection prove – not that they need to – that they can not only compete with the American and British Big Boys but can mark out their own territory to boot. For the former, let us examine “Madrid Boogie”. It is very much on an Impromp2 tip featuring the superb Karl Frierson (fellow labelmate) but the lyrics are a celebration of Europe and its culture. Why the hell not? So many people are putting each other down, let's have some positivity! None better than this. The groove is also an addictive one.
“Stay At Home” is a classy vocal cut by Angeles Dorrio and stands out; the slight garage type beat ups the game and the horns blast in atop the Latin groove. It is later in the track that my juices got going when it chills down, hits a jazzy laid back tempo and the approach is very much in the vein of Eryka Badu's “Orange Moon”, though I would say these vocals were better on this album. “Stand Up” is a real winner! An excellent, soulful groove with nice synths and blinding sax playing. Having worked with Steve Cole in the past, you know we ain't gonna have anything other than class here! Although terribly short, “Bring Back The Funk” is very good and the sax and slap bass really has a New York flavour, the organ a la Magic Disco Machine is also a nice touch. If only this were longer! “Walkin' Your Dream” reminds me of an Isabelle Antena cut to start off with, but lopes into a more funky UK sounding cut – think Bah Samba or 4Hero with a flamenco twist! The “MMM Song” features some excellent warbling guitar and a deep rumbling bassline. The acoustic guitar adds a nice jazzy touch too. The female scat is very, very nice too! The beat changes throughout and gives us plenty of texture! Tasty indeed! A cut that you may need to soak in is the superb, albeit brief, Hindu flavour of “Oriental Glamour”. Imagine what Hiroshima is to jazz, but with an Indian twist. This is very sexy and chilled. Please don't overlook this one, or indeed the entire album. Its different and in an age where acts are rolling off the Fordist production line. I like different!

Barry Towler

Rachel Brown

Rachel Brown is a very strong vocalist who has trace elements of Adriana Evans and Tami Davis within her voice, and all contained within her very sexy and sassy frame. “Life, Love And Relationships” really is what it says it is. Like a lot of other strong sets floating about at the moment, this set is as much about personal philosophy as it is musical direction. That, to me is not a bad thing. Something done with conviction holds more weight than something that has just been churned out for the sake of making a quick buck and exploiting the fickle market. The tone, for me, is slightly Gospel orientated and the gusto which Rachel has when espousing self-love and self-worth is one that is rarely discussed in R&B today. Most R&B – mainstream stuff at any rate – is about SEX and not LOVE. Rachel, on “Learn To Love Me” not only gives us a great track but also offers some wise words of deep wisdom. This is a big song with a big message. The song is excellent and displays a maturity not often seen or heard today.
Her version of “Don't Ask My Neighbours” also has to be one of the best versions I have had the pleasure to come across. The muted trumpet and sympathetic backing contains some gorgeous guitar and the backing vocals are almost on par with what you would expect from, say, Lori Perry. My next choice is the less R&B inclined stepping groove, “Let's Fall In Love Again”. The male backing vocals are very well arranged and the whole song is a joy to listen to. “Do What You Do” adds some eroticism to the mix, with a seductive flavour and alongside the positive messages, adds a welcome contrast. Some may find “My Child” too schmatlzy for their taste but if you have children and love a haunting piano-led melody with tight backing harmonies then this is a lovely song. OK, I'm getting sentimental in my old age!!! The fact is that this Lady has a lot to offer and as far as this CD goes there is something for everyone. There are a number of edgier urban styled cuts which don't float my boat BUT should appeal to younger ears, which is good as the vibes are definitely positive! One to check out for sure.

Barry Towler

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Omar Cunningham

This gentleman is a real talent and easily embraces a traditional, Southern flavour along with a more contemporary edge which is enough to keep fans of Willie Clayton, Lattimore, Johnnie Taylor happy, as well as those who may lean towards John Legend or Calvin Richardson. This is no bad thing, and over the years Omar has fostered this approach and I feel has delivered his best album to date. Those that love what could be termed 'real soul' should be checking this set out ASAP. Following the intro is a KILLER cut called “That's My Jam”. Imagine one of Gerald Levert's best grooves and you are not too far away from what we have here. I cannot stop playing this song! Likewise with the Willie Clayton-like “My Life”which beautifully addresses the love within his own family and his own life. Speaking as I was earlier about John Legend, please check out the superb “By My Side” which will seriously do the business for you.

“This Old Music” is also a cracker – it explains exactly what is so good about soul music. I know exactly what he means about the warm breeze blowing through the leaves and Al Green on the airwaves. Al's new CD was recorded just for a summer's day! Perfect! Another song which can be included into the 'great for a summer's day' category is the superb midtempo number “The Right Woman”. For Southern lovers, with a hint of the blues, is “Check To Check 2008” which would not be out of place on a Willie Clayton album. The bill collectors may keep on coming to your door, Omar, but your quality tunes keep on coming to our attention! The guitar licks and beats do a lot to bring life to Omar's edgy vocals on “If You Want Me”, the guitar really draws us in – the lick is an hypnotic one. Omar's passion shines throughout this song making this s definite highlight. Another quality groove is the melancholic “Where Would I Be” which, musically, is totally modern in style but has southern leanings lyrically. This shows how the man can intertwine both styles seamlessley and effortlessly. His strongest set to date and one for a ever-increasing fanbase.

Barry Towler

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Toni Redd - "N" The Key Of Redd

Yes!!!! In the immortal words of Chris Tarrant on TISWAS, “this is what they want!” - a classy, adult SOUL album aimed at the quality music lover. If you love Jean Carn's vocal phrasing then you will instantly understand where Toni Redd is coming from. Also, I am sure the late, great Phyllis Hyman is an influence as well. I guess having bandies these names about you must already feel that class is not up for debate here. The entire album is a must. Its only a 10-tracker, that I'll grant you BUT when given 10 solid tracks like this it absolutely outweighs this quibble. After all, years ago we only had about 8 tracks on an LP didn't we?! OK, track one then: “Anytime Of Day” is superb – that's that one sorted! Seriously, if you loved Margi Coleman's CD, “Margi” from way back in 1995 and would love something of a similar style then look no further than here. The following cut, “Holding On To Your Love” is equally wonderful. It has a jazzy GRP quality to it. There is no cheesy, cheap sequencer that can mar many an independent release, this is the real thing and it has to be said that the album stands head and shoulders over most others. George Duke sprang to mind with “I Apologize”. In fact, I can even feel the style of Michael J. Powell at play here – and the freshness of Khani Cole a la her “Places” album on top of that. “Love Is Gone” is a cracker, and I have to say that although I like her jazzy reading of “Sailing” you simply cannot beat the Christopher Cross original. “Thinking About You” has the musical traits of our very own beautiful Maysa, and the vocals again remind me of Jean Carn; this is a bubbly cut with a positive undercurrent. The brooding “Missing You” really could have been written for Phyllis Hyman; she certainly delivers it in such a style at any rate and if this was the case, then Phyllis would be impressed. I mentioned Maysa earlier, and it her song “I'm Changing” is painted Redd very nicely. I still prefer Maysa's original – and if you have not heard it then check out the Café All-Stars “Love Pages” CD from 2005 and that's where you'll find it. “Always There For Me” is a fair dancer and works OK, but I prefer the more melodic ballad “We Should Care” which is classy enough to be found tucked away on a Bobby Lyle or Norman Connors album. I am not sure who the male vocalist is but he sounds very much like Daryl Coley! This is a truly classy album and I expect many will knock it as it isn't uptempo enough or too 'old school'. You know, not everything has to be aimed at a dancefloor! Check out Toni Redd as she is the real deal. UNMISSABLE.

Barry Towler

Robert Gee - All My Love

This is more of an R&B set than previous albums I have reviewed of late, and as such has taken more of a concerted listen to get into it. But the effort certainly pays off, trust me! There is more intelligence to this gentleman than you’ll find on the run of the mill sets spewed out by the majors, and as such is far more accessible than most that are around at the moment. The general flow of the album is downtempo to midtempo and I suppose a good comparison would be that if you like artists such as Cognac and Kino Watson then you should also like Robert Gee. “All My Love” is definitely a grower and will wet your appetite for what follows. Another favourite is the guitar-led song called “I Really Miss Your Love” which allows Robert to really flax his vocal chops. On some tracks he sounds a bit like Craig David – which is OK as I have a soft spot for old Craig! – but on cuts like this he really has verve and dynamism! I really took quickly to the clonking hand-clapper “When You Get Down To It” – this is the sort of track that Brian McKnight takes to on his “Ten” release and is certainly a bass-pin trembler but yet easy on the ear. “Come Home” with its warm synth and sexy beat is a winner and does nothing but elevate Robert from his legion of contemporaries. Again the same could be said of the gospel-based “No Greater Love”. This is probably the most musically accessible cut for the traditionalist out there. I really appreciate the music if not the content, and I love the Take 6 styled harmonies he utilises. “Here We Go” works well too – I particularly like the lazy, drunken guitar and synth. I mentioned Brian McKnight earlier and his “Ten” album. If that is up your street then “Waiting” will also be a track that you will feel. For me this is certainly one of the stronger tracks. The CD is, as I say, a grower and a cut that originally did not register is the 4AM Sexy Remix of “All My Love” – this is one to keep in mind. The etheric vocal / synth touches adds a futuristic flavour and gives it more of a texture to let the old grey matter work with. Excellent! This is an album that will appeal to those who love both traditional sounds and more rough, urban edges. A recommended release from an artist with a glowing future.

Barry Towler

Alex Lattimore - Promise

If you love classy soul with a jazzy edge then look no further than the smooth tonsils of Alex Lattimore. Alex’s vocals are so similar to Will Downing that one could be forgiven for thinking that this was a new Will Downing album! Not only does the voice strike me so, the music also strikes me too. The music is superb – real instrumentation a la Ronnie Foster with a dash of Samba. Plenty of flugel horn, piano and percussion. Alex also belies his love of quality music in other ways. Keith Washington’s “Kissing You” is one of my faves from the 90s and I would have feared any attempt to cover it…but I have to say that this is done with a wonderful sense of style…the sax, flugel horn and Samba backing really makes this a totally new, fresh and completely different record – and this is EXACTLY how I like cover versions to behave! In fact, I cannot fault the album at all. "Bernadette” is warm, summery and totally chilled and features a stylish Downing-esc jazz scat. More summery vibes can be found with the ethereal “Lullabye”. I like the horns against the chilled keys and haunting keyboard. Very nice indeed! The title song, “Promise” is a full-blown vocal effort and would not be out of place on either the Café Al Stars “Love Pages” set or the “Soul Of Brazil” compilation. This is totally classy, trust me. The upbeat and percussion-filled “Sunlight In My Rain” would not be out of step on Victor Brooks’ “Samba Soul” album and reminds me also of the best work of Bob Baldwin! “Windows” is beyond compare…sensual, tropical and as sultry as anything you can find. The roots of this come across to me as VERY Leon Ware…check the great Man’s “A Kiss In The Sand” set and you will hear what I mean. This is a definite highlight of the album.The cover of Keni Burke’s “Risin’ To The Top” is competent if not a match for the original but the sax work definitely works wonders against the bassline. The track “A Million Ways” is NOT a cover version of the Will Downing track from a few albums ago but a blinding original song that Will himself would not only be suited to, but would be envious of! The final track is also an excellent cut. “In Your Eyes” contains some tasty Lonnie Liston-Smith style keys and the flavour is very Flying Dutchman…such a classy effort. This rates, for me, as one of the standard bearing sets so far in 2008.

Barry Towler

Al Green - Lay It Down

This is a remarkable album, and for me has to be one of the Legend's best albums in YEARS. This, his third, for Blue Note, sees a move away from Willie Mitchell and his working with the whipper-snappers instead! Before you recoil in horror, this is NOT a half-baked street / urban album, oh far from it. Al teams up with hip hop producer ?uestlove and James Poyser as well as contemporary soul heroes such as Anthony Hamilton, John Legend, the Dap-Kings as well as pop star Corrine Bailey-Rae for this set, and boy does it fire on all cylinders. Willie Mitchell may of well have produced this, and its warming to see that these hip-hop producers can actually turn their hand to real, adult music. If only they did this more often! Both Anthony Hamilton and John Legend gel perfectly with Al Green and his classic style. Their respect, I would imagine, is mutual and you get a keen sense of this throughout the very fabric of this recording. Its very satisfying to hear this, and even more satisfying to see an artist like Al Green still doing the business on a major label.Anthony joins Al on the opening cut, “Lay It Down” and both give a remarkable performance. The style is rootsy, southern and right back to what he was recording for the Hi label back in the early 70s. The lush musical accompaniment is amazing, laid back and unapologetically southern. The sound of Memphis is alive and well and brought bang up to date by Messrs ?uestlove and Poyser. Much respect to you both! You should also love the brassy “Just For Me” which is sandwiched by the second Anthony Hamilton collaboration, “You've Got The Love I Need”. Now, this track is a KILLER. I cannot stop playing this, and already it will remind me of a HOT sunny day. Many an afternoon I have been toiling away in garden in the welcome heat and this song has been perfect. This is one to play loud! God, I love this song...funky, rootsy and brassy with all the elements of an Al Green classic. Al's solo effort “What More Do You Want From Me” is another seriously delicious, summery, highlight which easily equals his best 70s recordings. The gorgeous Corinne Bailey-Rae sounds very tasty and sensual on the duet “Take Your Time”aided by her ability to sound dreamy and erotic, matched to Al's more seasoned approach sounds wonderful. This is without a doubt the best thing she has laid down – for me at any rate. My second jaw-dropper is the AWESOME “Stay With Me (By The Sea)” featuring John Legend. My God, this is everything you could hope for from both gentleman encapsulated in one summery, sultry package. Amazing, simply amazing. This album is due for release at the end of May. Make sure that you set aside some of your hard-earned wages for this album. You cannot do better than order this ASAP. Classy, classy, classy.

Barry Towler

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